Today sees a guest blogger, Jack Little, come to Rogue Strands. Jack lives in Mexico City, where he edits The Ofi Press magazine and manages the national cricket team of Mexico. This is his introduction to Rocío Cerón and contemporary Mexican poetry:
Since I moved to Mexico last year, I’ve met some wonderful, exciting and strange people. One of the wonderful ones was Mexican poeta Chilanga, Rocío Cerón whose work uses a multi disciplinary approach bringing poetry into dialogue with music, performance and visual images, taking participants on a multi sensory journey.
Rocío´s collaborations on works such as La mañana comienza muy tarde, Amérique/Urbana, Tiento and Imperio have melded the photography of Valentina Siniego and musical pieces of Enrico Chapela to bring echoes of common rhythms and rich images of life to her work. Seeing her perform is truly a wonderful adventure for the senses.
Perhaps my favourite of her works is the bilingual collection Empire, which explores the wars of ideas between nations, evidencing destruction and debris through the short and biting syllables. The struggle of agony and of lost names is explored in Nombre, her last poem of the book:
(…) Estoy sentado frente una ausencia (cuerpo / saliva / osamenta) que lleva promesa de estaciones. Su mirada son todas las palabras / pabellón del grito / que escriben, día a día, la historia de un Nombre.
Her work takes us takes us to death as our own starting point, it looks at the bleak and vast space of Mexico City with her millions upon millions of inhabitants: Rocío, Valerie Mejer, Luis Cortés Bagalló among many others burn bright the rich and deep wealth of poetry available in Mexico from the smells of the streets to the crashing colours of Mexico City’s night polluted sunset-dirt skies.
Rocío Cerón is an inspirational woman from a city where dark meets colour, light and music. You can read more about her latest work and projects here:
"Gods! Well, you know that’s the way the empire works – selling off unwanted kids to clear a debt is standard practice among the poorer classes through...