Ahead of the online première of Tasting Notes, a poetry film, here's something of a declaration of intent!
So, just what is a "poetry film"? Well, I believe it's capable of bringing about connections and creating metaphors that neither the verbal nor the visual form would produce alone.
In other words, a poetry film is able to give a concrete image to a set of words that were previously limitless in visual terms, enriching poems by driving the verse in question towards a tangible experience. However, this need not be a hindrance, as those very words strengthen and specify the inital generic power of the images employed, enabling the viewer to set off on a new journey.
This, at least, is my aim with Tasting Notes. The poems are already highly visual, but very few of my readers have had the opportunity to see Extremadura, its wineries and vineyards for themselves. The film intends to give them that vicarious chance.
In The Anxiety of Poetry Sarah V. Schweig touches on several delicate matters in the course of analysing the reaction to Willian Logan's criticism of Jil...