It's three weeks ago now, but the final chords of Busoni's piano arrangement of Bach's Chaconne in D Minor are still ringing in my ears. Maybe it's because...
Thursday, 21 November 2013
In the light of a turbulent week for U.K. poetry, with far too many strops, spats and sulks going on via social media, it was incredibly refreshing to read Kim Moore's blog about having been shortlisted for the Michael Marks Awards and missing out on the prize itself. Her post was shot through with honesty and grace. You can read the piece in full here.