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About Me
- Matthew Stewart
- I live between Extremadura, Spain, and West Sussex, England. Full collection, The Knives of Villalejo, with Eyewear Publishing. Two pamphlets, both now sold out, with HappenStance Press. You can get in touch with me via e-mail: matthstew@gmail.com.
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The best U.K. poetry blogs according to Rogue Strands
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Perhaps it’s just me – ever since I did a module on sociolinguistics while an undergraduate, I’ve been paying too much attention to the way people speak an...
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As in the previous four years, I am posting – over the summer – my reviews of the 5 collections chosen for the Forward Prizes Felix Dennis award for best F...
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Virginia Woolf’s A Writer’s Diary is proving a rich source of inspiration. On the subject of a writer’s insecurity, it’s refreshing to find the same things...
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A little taster for you. This is an essay from my forthcoming book Deck Shoes. – I was having a coffee with a new writer friend the other day. Not having...
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Over on the Carcanet website there’s a blog post by the wonderful poet Roger Garfitt about the opening poem of The Action, which I’ve been enjoying very mu...
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Speak to science academics and librarians and you find out that the paper/electric choice is a big issue more generally, particularly for periodicals. Wh...
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Review of *The Darkening Age: The Christian Destruction of the Classical World* by Catherine Nixey, pub. Macmillan 2017 "The destroyers came from out of th...
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“Do your best with what you’ve got” Toni Morrison 18 February 1931 – 5 August 2019 What are your ideal writing conditions? A large desk with space not only...
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It is perhaps no surprise that most (not all, thankfully) film critics have praised Tarantino's latest (9th) film *Once Upon A Time In Hollywood...* as a m...
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I have a couple of publication announcements to make, and they're both particularly good ones. In October, Broken Sleep Books will publish my first poetry...
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A quick round-up of the very best of my recent discoveries, in no particular order (some tweeted about previously): *Don't Read Poetry - A Book About How t...
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A minuet is a: *slow, stately ballroom dance for two in triple time, popular especially in the 18th century* (Lexico on-line dictionary). In my time, I ...
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The Poet’s Progress I sent my supervisor the first draft of my dissertation poems this week and had a feedback meeting on Thursday. The guidelines… Continue...
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Tell me a story, Pew. What story, child? One that begins again. That’s the story of life But is it the story of my life? Only if you tell it. (Jeanette Win...
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Sad news this morning of the death of David Berman, US poet and the frontman and driving force behind indie band Silver Jews. I bought his collection *Actu...
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For fishing read lounging on a beach. Normal service resumed when I’m back, but I’m looking forward to feeding my mind with a load of reading and some writ...
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My poem, *'Two Shepherds in Tam-O'-Shanters'*, has been awarded First Place (Category A) in the Fixed Form Terza Rima Contest for the* Metverse Muse, 54...
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Deaf Republic (Faber & Faber) by Ilya Kaminsky It almost seems from the plethora of online and mainstream media reviews, and the extensive Big Gun quotatio...
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This photo may do more to explain why I’ve been a bit quiet on here recently than lots of words can! My daughter Ally was born on the 24th May – two weeks ...
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If poems are like other people’s photographs in which we recognise ourselves, David Harsent’s writing catches us at our most vulnerable, vicious and unne...
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To celebrate the publication of Mixed-Race Superman on 2 July by Melville House in the United States, this is an extract from the opening section of the es...
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Social media, we are told, defines who girls want to be – or at least who they want to look … Continue reading →
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In March this year it was my great fortune to stay in Grasmere with the Wordsworth Trust as their poet in residence. The reach of the Trust is huge and I w...
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*Off-cuts, paper cuts. Part 1 (1–41) was written in 2014, Part 2 (42–64) in 2016, and those are here again without any editing or updating. Part 3 (65–91) ...
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Our grown-up son is, for the moment, living alongside us in a small Studio that we converted from a garage a few months ago. The arrangement suits us all. ...
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I came and I went...So I am about to be walloped with some heavy duty marking tomorrow. A perfect opportunity then to pretend it's not happening and writ...
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Like most people, I heard the dreadful news that the tower block was on fire in the night, with the likelihood of dreadful loss of life. People on the uppe...
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Below are some notes I made for a reading I’m giving at Cheltenham poetry festival this coming Sunday. I wanted to keep my thoughts as simple as possible a...
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I haven’t posted anything for a long, long time because I’ve been busy birthing and growing a tiny human called Alfie who is now nearly four months old – w...
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Nine days before the Brexit date and I’m almost totally dislocated by my déja vu. This is all feeling so exactly like the weeks before I lost my flat. The ...
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Last month, much to my delight, poems in my limited-edition pamphlet Messages took flight in Liverpool. It was a winner in the first ever Coast to Coast to...
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I talked to Fiona Moore about her first collection ‘The Distal Point’ (HappenStance Press 2018) (photos by Naomi Woddis) THE POET Could you tell me about t...
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This is just to say that the time has come to wave a tender goodbye to And Other Poems. After posting poems here for six and a half years and sharing the...
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On the back of #PoetBlogRevival, I started the year with good intentions: to blog weekly about the poetry life. How hard could it be? I stuck to my resol...
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The recent brouhaha over Rebecca Watts' essay for PN Review, 'The Cult of the Noble Amateur' , re-drew the battle-lines between the worlds of 'page' and 'p...
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[image: A MOMENTARY STAY] [image: A rather orangey photograph of boxes piled up, and sealed packs of books. You can see something to the left that could be ...
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