This piece invokes thematic tensions - inner and outer, open and closed, animate and inanimate, city and country - and ramps them up via a subtle control of line endings and stanza breaks. All these qualities contribute to a deceptively profound, implicit meditation on life in one of the biggest capitals in the world...
30 St Mary Axe
Sun boots up from the ArcelorMittal
Orbit, swings a low arc to Wembley –
no place to hide
when you're
this high.
The temperature inside is set fair. Inner
and outer airs kept apart. No-one
feels a draught or needs to breathe
in the city.
On rainy days you look from below
and it’s gone in a trick of the eye, enough
to tremble hearts, turn heads to check
for St Paul’s.
Its stories are etched from diamonds,
a thousand or more – its panes unable
to open, unlikely to break: strong
as a threat
so no-one inside may throw stones,
or listen for the honking of Barnacle geese
flying east in a V, or mistake the sky
for
sea.
(An earlier version of this poem was first published in Brittle Star).
No comments:
Post a Comment