I have the distinct impression that
written-page poets and print-based publishers are currently suffering from a
growing struggle to reach their readers and customers, having gradually shifted
their means of communication from snail mail to email newsletters and then to
social media over the past twenty years.
Insta has always been more focused on
spoken word, so the poets and publishers in question tended to concentrate
their efforts on Facebook and Twitter. The former is now weighed down by ads
and reels, meaning that it’s hard for posts to gain traction. Meanwhile, the average
age of its users is rising.
And as for the latter, Twitter became
the social media of choice for umpteen publishers and poets. Many had huge
follower counts, got numerous shares and likes on their posts, and managed to
drive much of their online promotional, marketing and sales activity through
it. However, Twitter’s change in ownership, name and algorithms has ripped all
that asunder. Many people and organisations have given up on X or limited their
use of it, while the reach of posts has dropped through the floor.
In this context, a lot of outfits and
individuals in the poetry world saw Bluesky as a natural alternative and rushed
to open up new accounts there. A few months later, the majority of those
accounts have been abandoned. I’d argue that this is because barely anybody
stopped to consider that Bluesky works differently from X/Twitter, and your
posts will wither and die if you attempt to follow similar communications
strategies on both platforms.
Nevertheless, whatever the arguments
in favour or against Bluesky might be, the fact remains that the core of U.K. written-page
poets and print-based publishers are scarcely using it. But what’s their alternative
plan? How do they intend to maintain contact with their readers and customers
over the coming years? Given the atomisation of social media platforms, many
new titles, launches, reviews, sample poems, etc, seem to be disappearing into
the void. As a poetry lover, I find this situation deeply concerning. How can
we communicate better?
POEM IN THE COMPANY OF AUGUSTE PONS AND PETIN THE SHORT Auguste walks round
his car, stroking its bonnet,staring in admiration at its lovely
carburettor.He...
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