This match-making process is one of the toughest parts of writing poetry.
It often fails by being too forced in its attempted coupling or by following a path that's already too well-trodden. As a poet, I'm constantly wrestling with the task of marrying adjectives to nouns in a way that casts new light yet immediately sounds natural.
Do poets tend to have managers, or at least drivers? I think we should be
issued with one for gigs and the like. It may stem from me not being the
best dr...
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