I feel very fortunate to have received some excellent reviews for The Knives of Villalejo, my first full collection, over the past two years, but Christopher James' recent piece takes the biscuit: it's the sort of review that dreams are made of.
Not only does he display a profound understanding of how my poems go about their business, but he also enables me to learn more about my own work, which is always a sign of an excellent reviewer. However, perhaps the most important point from a personal point of view is his highlighting of the layers and depths that can be found in my poems.
I can't quite bring myself to extract quotes from his extremely generous post, though you can read it for yourself by following this link to his blog...
Since the death of his wife Dodo (the philosopher Doreen Maitre) in 2022,
much of David Miller’s work has been an elegiac exploration of grief. Late
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