Restraint is out of fashion, along with linguistic control. And few poets trust us to probe beyond what’s left unsaid. But these are precisely the qualities that make Hilary Menos’ poetry so convincing.
My review of 'Fear of Forks', Hilary Menos' new pamphlet from HappenStance Press, is now up at Wild Court (read the piece in full via this link).
In Denise Riley’s recent short collection of essays, A Chorus of Ears
(Picador), she reflects on the way the persona of the poet frequently gets
in the way...
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