Self-publication has long been a thing. Even the likes of Walt Whitman did it. However, the advent of the internet has facilitated the process even more, and a trickle has become a deluge, a deluge that often feels more therapeutic than artistic.
In the context of the above, I was especially surprised to discover Mark Antony Owen's poetry. His work displays a surefooted sense of cadence, hard-acquired technical knowledge of metre and a deft knack for narrative layering, accessibility combining with depth. It's also self-published.
Owen's made a conscious decision not to submit to journals or publishers. Instead, he's developed his own online project, titled Subruria, and it's well worth a browse.
A key issue is whether this choice is liberating, whether it enables him to fly on his own terms, finding a new audience via the freedom of the internet, or whether it's denying him editorial input, critical approval and access to readers who find their poets through more traditional means. Either way, his poetry's excellent, and I'll be following the development of Subruria with a keen eye.
DISPLACED They called her aloof, impractical, clumsy, plain. It was, they
say, difficult for her not to fall in love.In spite, that is, of the first
coughs...
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