Restraint is out of fashion, along with linguistic control. And few poets trust us to probe beyond what’s left unsaid. But these are precisely the qualities that make Hilary Menos’ poetry so convincing.
My review of 'Fear of Forks', Hilary Menos' new pamphlet from HappenStance Press, is now up at Wild Court (read the piece in full via this link).
“The Symmetry of Fish” is caught between two cultures from a poet born in
South Korea and raised in America. Su Cho discusses how her name was
anglicised (...
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