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Matthew Stewart weaves his ways through poetry
Purchase my collection here...
Ten pounds gets you a signed copy of The Knives of Villalejo with free p&p!
Endorsement for The Knives of Villalejo
"Matthew Stewart is a poet of consolidation, truth, and freshness, with a mastertful sense of economy. His poems matter, and his first collection has been too long in coming. These poems have the rare quality of resonating a long way beyond their modest physical limits."
Rory Waterman
About Me
- Matthew Stewart
- I live between Extremadura, Spain, and West Sussex, England. Full collection, The Knives of Villalejo, with Eyewear Publishing. Two pamphlets, both now sold out, with HappenStance Press. You can get in touch with me via e-mail: matthstew@gmail.com.
Follow Rogue Strands on Twitter...
The best U.K. poetry blogs according to Rogue Strands
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It’s my pleasure to welcome one of Broken Sleep Books finest poets, Daniel Hinds to drop-in and reflect upon a poem from his first collection New Famous Ph...
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THREE-LINE POEM ABOUT POETRY If you spell POETRY’S POINTLESS NONSENSE backwards you get ESNESNON SSELTNIOP S’YRTEOP which is pointless nonsense. PHOTOGRAPH...
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David Lanoue’s book, Mindful Renku, has just come in for review, and I found the above to be incredibly accurate! Lanoue reads it as rejuvenation, the spri...
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This coming Monday evening, from 7pm, I’ll be reading from both my poetry collections, plus a few newer poems, at Fountain Poets, in the King’s Head, High ...
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“With My Back To The World” was sparked by an ekphrastic prompt that sent Victoria Chang to explore Agnes Martin’s art and write about them. Martin once to...
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I’m listening to Beethoven’s Symphony No. 7. One could be forgiven for thinking the opening is prelude to something pastoral and grandly reminiscent of d...
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Regular readers will know that Isobar Press is the place to go for recent and contemporary Japanese poetry in translation or English-language poetry coming...
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Do poets tend to have managers, or at least drivers? I think we should be issued with one for gigs and the like. It may stem from me not being the best dr...
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This scene was outside King's College Cambridge yesterday. Typewriter at the ready, the poet offers the public a "Poem on the Spot". No AI. Today I went ...
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Just taking a break from compiling my updated ‘Guide to getting your poetry published’ to share this. One of the things I asked […]
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Fifty-odd years ago Herbert Lomas, a lovely man and very good poet, published a book suggesting that we could solve a lot of problems by just getting rid...
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February meeting of Artists' Book Club Dove, with Dove-droppings. … Continue reading →
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*POLAR CORONA* A Crown of Antarctic Sonnets Hedgehog Poetry Press Pamphlet With much gratitude to those whose names appear below, here are the ...
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Cliff Yates was our guest poet last November. You can read the poems here. As I was going through his New & Selected Poems (The Poetry Business, 2023) to s...
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This review – or a shortened version of it – first appeared in The Times Literary Supplement, 25th December 2025. Many thanks to Camille Ralphs for commiss...
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Tears in the Fence 83 is now available at http://tearsinthefence.com/pay-it-forward and features poetry, prose and visual poetry, flash fiction, fiction an...
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Roads go ever on and on, Over rock and under tree, By caves where never sun has shone, By streams that never find the sea; Over snow by winter sown, A...
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Since my last post about the huge spike in this site’s visitors and views (up over 500%) I’m pretty sure that it’s not my content but another, more malicio...
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I’ve never warmed to Shelley as a man, and when I’ve tried reading his poetry in bulk I’ve found the process curiously unsatisfying. This is odd: his writi...
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I am honoured and delighted to have taken part in the BBC Radio 4 programme Artworks celebrating 40 years of … More
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The cobweb has been permanently archived to johnfogginpoetry.com Thank you.
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My three-year-old daughter accompanied me to John Lewis (though it would be more accurate to say that I accompanied her.) … Continue reading →
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Perhaps it is my southern hemisphere background, but I find it hard not to feel gloomy in the cold, dark, dreary months of northern winter. This December h...
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First post of 2025...! It's been a while since I've sent poems out into the world though I've been writing away in the background. Anyway, I'm pleased t...
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We’ve been away for a holiday – and a good rest after a turbulent time in the last eighteen months, and on our way home, I achieved a life-goal (as my youn...
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I've a new essay over at the *North Sea Poets* substack, addressing the decline of reviewing culture, the rise of the poetry prizes, artistic standards a...
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My husband and I recently visited David Austin Roses in Shropshire. It set me thinking about why I love roses: the scent, the sweet-shop colours and the si...
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Little SongFirst year: words left, like Gods returning to the underworld.In the second, I lived as if I we both were dead.The words returned around year th...
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My poetry pen has to be set aside for a while after a book comes out, or allowed to rest under whatever I’m reading, listening to, looking at. This happens...
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My poetry pen has to be set aside for a while after a book comes out, or allowed to rest under whatever I’m reading, listening to, looking at. This happens...
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Today is National Poetry Day in the UK, and this year's theme is 'Refuge'. On a global scale, the world is experiencing the highest levels of displaceme...
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Generally Speaking (about Bookshops) Although there is undoubtedly a few collections of poetry that are criminally bad, you wouldn’t head to the crime se...
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The concept of poetic ecological collapse has been widely discussed, and so I add here only a few additional notes of personal reflection. Readers will kno...
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It’s been a while since I did once of these, but maybe there’s something here to tempt you. Christmas is just around the corner… If you’re interested in an...
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I thought I'd posted this a couple of weeks back, and realise now that I didn't, but better late than never – this is an excellent tribute to the poet Ma...
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